Mona Lisa gains new Louvre home

BBC NEWS | Entertainment | Mona Lisa gains new Louvre home

"Mona Lisa gains new Louvre home

The Mona Lisa has been unveiled in her new home within Paris' Louvre art gallery, four years after refurbishment work began.

Leonardo da Vinci's 500-year-old masterpiece now hangs alone on a wall in the museum's Salle des Etats.

It will give the millions of people who come to see the Mona Lisa every year a better view of the painting.

The Salle des Etats has had a 4.8m euro (£3.29m) renovation to provide a suitable home for the masterpiece.

It will allow visitors more room to gaze in comfort on the Mona Lisa, which will be hung alone on a false wall in an area dedicated to 16th-century Italian paintings.

Bullet-proof

The painting, which measures just 53 by 76 centimeters (21 by 30 inches), is still hung behind non-reflective, unbreakable glass to protect it from climatic changes, camera flashes and wilful damage.

Before the renovation work, visitors had to crowd around the painting which was hung in a smaller space on a wall with other works of art.

The painting - which is the most recognised in the world - is thought to be a portrait of Lisa Gherardini, the wife of an obscure Florentine merchant Francesco del Giocondo.

Cecile Scaillerez, Louvre curator in charge of 16th century Italian art, said: 'The painting abolishes the distance between the model and the viewer by getting rid of a foreground, which created a barrier in pictures of the time.

'On the other hand, Lisa Gherardini isn't just looking at us, which wasn't usual in the portraits of the 15th and early 16th centuries in which people were often looking away far into the distance, but she is also smiling.'

Last year, curators announced a scientific study of the Mona Lisa after the thin poplar wood panel around the painting began to show signs of warping."

The New York Times > Magazine > The Murakami Method

21st century Japanese Andy Warhol ....

The New York Times > Magazine > The Murakami Method

The Murakami Method

By ARTHUR LUBOW

At the Mori Arts Center, which is perched atop a skyscraper in the glittering Roppongi Hills development in Tokyo, I recently visited a museum show, ''Universal Symbol of the Brand,'' that displayed (to quote its catalog) ''the fascinating development of the history and endeavors of Louis Vuitton, the brand that is not only incredibly popular in Japan but also beloved throughout the world.'' A sequence of galleries exhibiting luggage and handbags proceeded to a large advertising photograph of the actress Uma Thurman and smaller shots of runway models, all wearing Vuitton fashions. What drew me to the show, however, were two bags in the variation of the Vuitton pattern that the Japanese contemporary artist Takashi Murakami developed with the company in 2003. The brightly colored Murakami line has been phenomenally successful, with sales reported to be in the vicinity of $300 million. Murakami's handbags were presented along with two small paneled screens painted in the same patterns that appear on the bags.